A Look Behind The Book With Jen Gilroy.

Jen Gilroy author photo - Golden Network retreat 2016In just over a week, Jen Gilroy’s second book in her wonderfully heart-warming Firefly Lake series will be published – she is, officially, Living The Dream.

How she got there is a fascinating tale – at one point it involved a daily target of 250 words so that she satisfied her need to write while also meeting the demands of a hectic full-time job and family life.

I am a big fan of her writing (a review of Summer On Firefly Lake is coming up) and I’m delighted to introduce Jen as my latest Behind The Book interviewee. She very kindly shares some of the details of her route to publication and offers great encouragement for others starting along what can be a long and winding path.

When did the dream to become a writer start? And how did you keep that dream alive?

I can’t remember a time when I wasn’t interested in words and using them to tell stories. However, my dream of becoming a published author started in junior school when, as an avid reader, I imagined seeing my name on a book on a library shelf. I was also influenced by Canadian author L.M. Montgomery’s ‘Emily’ trilogy about a young girl who sought and achieved writing success.

As life intervened, my dream dimmed but never truly died. After several turning points and significant birthdays, though, I began writing seriously again. Despite rejection and personal and family traumas, I kept the dream alive because I was too stubborn to give up!

In one interview, you said that when you first started to write more seriously you not only had a full time job, which required you to travel internationally, but also a young child AND a husband who travelled too. When on earth did you find the time/energy to write?

When I look back on those years before publication, I sometimes wonder how I fit everything in. Yet, I did because I had a dream that I believed in and wanted to give everything I had to try and realise it.

I wrote in snatched moments—a few words here and there at lunch during my day job, while my daughter did sport and slept, and in hotels on business travel. I set myself a daily word count target of 250 words and little by little, the words added up to become books. I also reassessed what was most important in my life and since writing followed family, I gave up other things (like watching television) to prioritise it.

At difficult times, writing also provided temporary escape and emotional solace. Just after I’d started writing the book that became The Cottage At Firefly Lake, my mum was killed in a road accident. Brief forays into my fictional world helped me through those very dark days and, for that reason, the book is dedicated in her memory.

How long did it take to write The Cottage At Firefly Lake? How soon did you start sending it off to publishers? Was it an instant hit with them? And did you always envisage it as a series?

I started writing The Cottage At Firefly Lake in 2012 and worked on it on and off for several years. It also went through the Romantic Novelists’ Association (RNA) New Writers’ Scheme (NWS) for critique twice.

I sent the manuscript to agents first and, after many months on submission, signed with Dawn Dowdle of Blue Ridge Literary Agency in July 2014. Dawn began querying the manuscript with publishers early in 2015.

It was not ‘an instant hit’ and was rejected many times, even after it was a finalist in Romance Writers of America’s 2015 Golden Heart® contest for unpublished writers (under a previous title). I owe a great deal to Dawn who didn’t lose faith in the story (or me) and worked with great persistence to find it a home until it sold to Hachette Book Group USA, Grand Central, Forever that August.

Although I didn’t envisage the book as a series initially, once I finished the first draft and, as often happens for me, some of the secondary characters had taken on a life of their own and ‘demanded’ their own stories. Nick and Mia, the hero and heroine of the second book, Summer On Firefly Lake (which comes out at the end of this month), were two of those characters.

Luckily, the publishers my agent intended to query also wanted a series proposal.

SummeronFireflyLake4_RGB300What was your reaction when you found out you had a three-book deal? Did you immediately call your boss and quit your job?

Disbelief, joy and shock. Having worked for so many years towards a dream, all of a sudden it had come true. It was a life-changing, never-to-be-forgotten moment.

My book deal also came at a time of personal and professional upheaval. Two months earlier, there was a restructuring at my day job and I’d opted for voluntary redundancy. In parallel, and after much soul-searching, my husband and I decided to uproot our lives in England and return to Canada so our daughter could start senior school there.

The news that my book had sold coincided with an international move, and what (unexpectedly) turned out to be a protracted period of single parenting until my husband was able to join us in our new home.

The moral of this story? Life—and dreams—often happen in ways you least expect.

Your first book was published in January and has been well received with comments including “thoroughly absorbing” and “heart-stirring”. How does it feel when people connect with your story?

It’s so special to know that know that my story has touched readers’ hearts. It’s a bit like someone complimenting your child.

It’s also truly humbling when readers have contacted me to say that my book has provided solace, escape or much-needed distraction at a time of serious illness or other life crisis.

I’m grateful that I can give readers something of the pleasure and comfort my favourite authors have given me over the years.

What about the odd person who doesn’t enjoy it as much as you’d hope? How do you deal with that?

There will always be readers who, for whatever reason, won’t enjoy what I write. Although negative reviews sting, I remind myself that there are some popular books that don’t appeal to me, either, and all of my favourite authors have received their share of damning reviews, too.

If the comments are constructive, I consider if there’s something I can learn from them to help me become a better writer but, at the end of the day it’s only one person’s view.

Ice cream is also excellent consolation!

Setting seems really important to your books. I know you lived in the UK. Would you consider setting a book in England?

Yes, setting is hugely important to me as a writer, and I suspect that stems in part from how certain places have shaped my own life. Several areas of England—the Lake District and north Norfolk coast in particular—are special to me and would be lovely settings for books. In fact, I have several such story nuggets in my ‘writing inspiration folder.’

However, and despite spending so many years of my life in England, I haven’t yet developed a believable English writing voice, particularly when it comes to dialogue. I’ve tried and, as members of one of the writing groups I belonged to in the UK would undoubtedly attest, the result is awkward. Never say never, though!

How do you feel about social media? And how much effort do you put into it? Does it help you connect with your readers? Is that a positive?

I have active profiles on Twitter and Facebook and usually post on both platforms daily. Since I’m a new author, I’m still growing my audience but it’s lovely when readers reach out to me via social media.

I put a lot of effort into my social media work and to me it’s positive and time well spent. When I share bits of my life with readers, and they share bits of their lives in return, we build the kind of relationships and community that characterises the places I write about.

Social media is also how I connect with other authors and, alongside reader engagement, it’s a learning and professional development tool.

In addition, I maintain an active blog and post fortnightly on Fridays. Since it’s reader-focused, posts are about life and not writing craft or industry.

Are you already thinking ahead to what comes after book three? A completely new series? A one off?

The third book in my Firefly Lake Series, Back Home At Firefly Lake, will be published in North America on December 5 this year.

I’m currently working on something new—the first book in a romantic women’s fiction series due to my agent later this month.

Although it’s been a bit of a wrench to leave the cosy world of Firefly Lake, I’m enjoying getting to know new characters and a new small-town community.

What one piece of advice would you give to a writer perhaps struggling to get published?

Something I’ve said before and that a member of the Romantic Novelists’ Association (RNA) said to me when I was struggling in the unpublished trenches: The only difference between a published and unpublished writer is that the published one didn’t give up.

Yes, you will get rejections, many of them if you’re like me. You’ll also question what you’re doing and why you’re doing it, also like me. But if the dream of becoming a published author is important to you, don’t stop believing in yourself even if others do.

jengilroyquote

Thank you so much to Jen for sharing her journey. I loved all of her answers but her final words are especially stirring. I’m sending her all of my best wishes for a happy publication day (on July 25) and I’m already looking forward to the final instalment of Firefly Lake (a place I would quite happily move to in a heartbeat).

Keep up with all Jen’s news by visiting her website, where she writes an entertaining blog, following her on Twitter and Facebook. With thanks (again) to Susanna Bavin for introducing us.

I’ll have two more interviews for you next month.

Hot Pink Wellingtons

 

A Look Behind The Book With Jessica Redland.

Jessica Close Up Stripes

I fell in love with the story behind Jessica Redland’s debut, Searching For Steven, before I even opened the book – although that more than lived up to my (very high) expectations.

Since then she’s written four more wonderfully romantic, funny, feel good stories with the latest, Bear With Me, released earlier this year (and, at the time of writing, having ALL five star reviews on Amazon).

But it hasn’t all been plain sailing and in my latest Behind The Book interview, Jessica not only offers some fantastic insight into the writing process and indie publishing but she also has some very helpful and encouraging advice for anyone perhaps having the odd doubt about their own work (ME!).

I am really thrilled to share her answers with you.

I LOVE the backstory to your first book, Searching For Steven, can you please share it again?

Aw, thank you. In the early noughties, I was working in Reading as a graduate recruitment and development manager. My manager often said that my reports read like a story and I should write a book. He’d planted the seed but I had no idea what I’d write about so I pushed it aside.

In 2002, I’d split up with my boyfriend and our house was on the market. The original plan had been to stay in Reading and buy a house on my own, but I had this gnawing idea of moving back home to the north-east and setting up a teddy bear shop. Slightly different! A friend gave me a gift voucher for a telephone clairvoyant. It wasn’t really my thing but I decided that it was worth giving her a call. Perhaps talking through the situation with a stranger might help me get some clarity in my own mind.

The clairvoyant told me that I would move back home and open my own business and she was very accurate about when this would be and how long I’d live with my parents before moving into my own home. She also told me that I’d meet the man of my dreams when I moved back home and he’d be called Steven. How exciting! And what was equally exciting – perhaps moreso – was that I suddenly had the illusive idea for my story.

So, you had a fabulous story idea but had you always wanted to be a writer? How did you get started on your first book? How long did it take to write and how many versions did you do before you started to send it off to publishers? 

I’d love to say that it was six months, or even a year, but I’d be telling a porky pie. It actually took me well over a decade to write Searching For Steven. The clairvoyant conversation which prompted the premise for the novel happened in September 2002 and it brewed for a few months. I moved back home in April the following year and opened my bear shop the month after. It was then that I started putting fingers to keyboard.

I have no idea how many versions I wrote of Steven but it was a huge number. HUGE! I started in first person, then changed it all to third, then changed it back again. I started in past tense, then changed it to present, but thankfully changed my mind on that one before I’d changed the whole manuscript. The beginning caused me an absolute nightmare. I wouldn’t be exaggerating if I said I had about 40 different versions of that.

Over the next decade, I wrote and re-wrote Steven many, many times. I had significant periods of time where I didn’t write at all, though, and had several life events during the years like closing my business, getting married, having a baby, moving three times, and changing job several times.

In 2012, I joined the RNA (Romantic Novelists’ Association) through their New Writers’ Scheme (NWS). I knew that Steven was overly-long but was ready to seek his critique by early August that year. I edited him (including the start again) based on that feedback and put him through again the next year, then massively edited him again after that second critique (and yes, you’ve guessed it, the start changed yet again!)

It was late 2014 when I felt he was ready to seek a home with a publisher or agent. Yes, it was scary, but it’s one of those things you just have to crack on with. Several of the publishers insisted on postal submissions so I had many nervous waiting for the post to arrive days. The thing that surprised me about the process was that I didn’t get upset at any passes. Getting a no meant that I at least knew the outcome and could move on with a new submission. The hardest challenge was publishers who promised a 12-week turnaround … then took a whopping 9 months to say no! This actually happened to me twice. That’s a very, very long-time to be kept nervously waiting.

You secured a three-book deal but parted company with your publisher in 2016 to go it alone. Can you talk a little about your decision?

In summer 2014, I’d been submitting to publishers and agents for about nine months. I’d had a couple of “near misses” from agents (really positive feedback to say that they loved it but only took one or two new writers a year and didn’t love it quite enough to make me one of them) but I hadn’t found a home for Steven. I had him with three more publishers and had decided that I was going to wait for the outcome of those submissions but not try any others. If none of them wanted Steven, I was going to go indie. I was really into the idea and fully expected that to be the way I got my work out there so I was a little stunned when two of the final three offered me a publishing deal. It was a tough decision because, deep down, I thought indie was right for me, but I knew I’d regret turning down the opportunity of a publishing deal and that, if it didn’t work out, I could still go indie later.

Everything was fine at first. My publisher was new and they were really enthusiastic and committed to making it work but this seemed to wane over time and, when the owner secured another job, I wondered if the writing was on the wall for the company. After the trilogy was released, I had an open and honest conversation with the owner and she agreed to release me from my contract and revert my rights back to me.

It wasn’t an easy decision to part company. Steven was doing reasonably well. He certainly wasn’t setting the Amazon charts alight but I was selling a reasonable number of copies each day. I worried about losing that momentum, but I knew that I would feel happier being indie and that there was nothing I was getting from my publisher that I couldn’t do myself. I liked the idea of being in control of my covers, deadlines, pricing, promotions and so on.

What I hadn’t expected was how much momentum I’d actually lose. Although I was able to get all reviews transferred, it was like completely starting from scratch and I had several months where I sold no copies at all which was pretty heart-breaking. It took a free promotion on Steven over May Bank Holiday weekend in celebration of the launch of my fourth novel to finally get sales moving again.

The ideas just kept coming and you’ve written four more since Steven. Are they all taken from things that have happened to you? How much of you is in the books?

 

When I started writing Steven, I quickly realised I had a trilogy on my hands because, as I developed the characters of her two best friends, Elise (the focus of Getting Over Gary) and Clare (the focus of Dreaming About Daran), I knew they both had stories to tell that were way bigger than a sub-plot in Steven would allow. Their stories are 100% fictional, as are they as characters. Raving About Rhys is a novella set before Steven and, again, it’s purely from the depths of my imagination.

Steven, however, has a lot of me in it and the protagonist, Sarah, is predominantly modeled on me. When I set up my teddy bear shop, I arrived at work one day to find a business card through the door for a sign-maker … called Steve. I got a call from a company to say a rep was in the area … called Stephen. Eek! Stevens/Steves/Stephens seemed to be everywhere so I used these types of scenarios in the story, although how they played out is very different. I certainly didn’t humiliate myself like Sarah did when Stephen the plasterer arrived. Sarah’s personality and her phrases are very me too. Friends and family members who’ve read the book tell me how much of me they can spot.

As for Bear With Me, I am indeed an arctophile (collector of teddy bears). I ran my teddy bear shop and I can also make jointed bears so I drew on that experience and passion. My shop was called Bear’s Pad and I’ve given that name to my protagonist’s mum’s cottage. The bears I make are called Ju-Sea Bears so I used that brand in the book too. Other than those nods to my past, the knowledge about bears and the experience of having a bear shop and being a bear-maker, everything in Bear With Me is absolute fiction.

How do you deal with it if the odd person doesn’t who like your books as much as you’d like? Do you take it personally?

I’ve mainly had amazing reviews for Steven but there have been a couple of reviews where the readers haven’t loved Sarah quite so much, saying she’s naïve or silly and wouldn’t do those things. I don’t take this personally and, because I know that I’ve been in some of those situations myself, I know how I reacted and if that was naïve or silly, so be it.

How soon into book one did you have the idea for book two? And how do you develop it, are you a planner or do you write and see where the words take you?

Although I set out to write a standalone novel, I discovered I had a trilogy on my hands pretty quickly. I needed Sarah to have two best friends so that one would believe the clairvoyant reading (Elise) and one would be completely dismissive of it (Clare) and their perspectives would pull Sarah in two different directions. As the two characters developed, Clare in particular held my interest. Elise is a very placid individual and Clare’s quite spiky and I felt that there had to be something in her past which had made her that way. Her story is the final one in the trilogy but it’s my favourite as it’s full of twists and turns.

When it comes to my writing approach, I’m part-plotter and part-pantser. With Steven, I knew what the ending would be and kept writing and experimenting until I got there. With so many re-writes, I decided that I would plan Gary to avoid being in that situation again. But I didn’t end up sticking to the plan because my characters kept pulling me in different directions so I decided there was something in the “just go with it” approach. With Daran, I had a loose plan but massively developed him as I wrote, then tweaked a few plot holes in the editing process. Bear was the same; a rough idea and he pretty much wrote himself.

Can you talk a little about the technical side of self-publishing. How difficult is it?

I’m lucky because my husband’s day job is as a typesetter so he lays out the pages for me and converts them into the file that’s needed for KDP (Kindle Direct Publishing). He has also designed all of my covers so I leave the technical bits to him. It’s pretty straightforward, though.

After release, there’s a KDP dashboard on which all your books sit. You can make changes through that e.g. to categories and pricing. You can also keep track of sales by the hour which is helpful.

Is writing your full-time job? If not when do you find the time to write. How soon after one book is finished to you start another?

I wish! It would be amazing to write every day and earn enough from that to pay the mortgage but that is a distant dream. Other than my career break with Bear’s Pad, I’ve always worked in Human Resources. Now I’m an HR Tutor. I work from home, marking assignments for students studying their CIPD (the HR professional qualification). I also tutor on weekend workshops and I’m a Brown Owl, running a Brownie Pack for 24 seven to 10 year olds.

Time to write is therefore rare and precious. I don’t watch much TV which helps, I’m used to working very long days (often still working until 10 or 11pm), and I grab my moments were I can although I wish I had a lot more time.

When I worked on the trilogy, I had a stage where all three of them were a work in progress in that I was still editing Steven for publication, still editing Gary ready for submitting to my publisher, and still writing Daran. I would have moved onto Bear straight after Daran but my day job was so demanding that I had to take a few months off before I could work on that. As soon as I’d published Bear, I started on my Christmas novella and I’m hoping to have that finished in a couple of months so I can start working on another full-length novel.

Any words of encouragement for those who are perhaps struggling with either writing their stories or getting them published?

Think about why you write. I’d imagine that, for most pre-published writers, it’s because they couldn’t imagine not writing. Creating characters and worlds gives them joy. Hang onto that joy. It can be really easy to lose this when you’re getting rejections, or when you get your work out there but it doesn’t sell loads, or when you get your first low-star review.

jessicaquote

Don’t give up when you get rejections because it doesn’t mean your writing is poor; it just means it’s not right for that publisher or agent at that particular time. But it may be for someone. Or it may be that you were meant to go indie instead.

And, it’s got to be asked, did you find your Steven?

Ha ha ha. No! I came across several Stevens in my search but the closest I came to romance was a few dates with a Simon who then dumped me by text, confessing that he’d only started seeing me to make his ex jealous and it had worked. Nice! A couple of months after opening Bear’s Pad, I met Mark and we’ll have been married for 13 years this September. His middle name and his surname have no connection to the name Steven.

Thank you so much to Jessica for taking the time to answer my questions in such detail. I found them really entertaining but also inspiring; I was buzzing with enthusiasm for my own story after I read them. I hope, if you are in need of a little encouragement, they do the same for you. Thanks also to Susanna Bavin (her debut, The Deserter’s Daughter, is out now) for introducing us.

If you enjoy contemporary romance I can highly recommend Jessica’s books (I’m a HUGE fan, can you tell?). You can also find out more about her work via her website , you can buy her books via Amazon and also follow her on Twitter.

I’ll have another Behind The Book post for you later in the month but for now you can catch up if you’ve missed any here.

 

A Look Behind The Book With A Bogie.

_RD90748You would be hard-pressed to come up with a better name for an author of children’s books than A Bogie but is it a nom de plume?

In my latest Behind The Book interview, I quiz Anna about her surname and discover more about her popular series of Happy Hooves picture books – the most recent of which, Yuk!, was published last year.

The busy mum of three is fascinated by how children learn to read and is convinced that rhyming and poetry are a huge help in aiding language and reading skills. I love rhymes – although, having attempted to write a rhyming poem once, I know it is not as easy as it might seem.

Anna also offers a couple of great tips at the end, which I am sure are important for all authors.

Here we go.

First things first, A Bogie is surely the most perfect name for the writer of children’s books?

A Bogie is a brilliant name for a children’s author – unbelievably it is my actual (married) name and not just a nom de plume. It isn’t the easiest name in the world to have but at least this career makes the most of it.

Where are you from originally and where do you live now?

I was born and grew up in Norwich and I now live in Gibraltar.

Have you always wanted to be a writer? What made you decide to write for children? 

I have always wanted to write but my career post university was actually in marketing. Having decided that I wanted a change from corporate life, I tried my hand at writing for children. It’s my favourite kind of writing because it’s so much fun and a real break from everyday life.

Your debut picture book series, Happy Hooves, was inspired by your life in Spain. How much impact does your location (and other aspects of your life) have on the subject matter of your books?

Location does have an impact because the area you are in sits on your conscience. I used to live in natural parkland outside of a beautiful place called Tarifa, in the south of Spain. It is very rustic and the animals roam freely, I couldn’t help but be inspired by the area and so location played a big part in Happy Hooves. Another big aspect of my life is that I am a mum to three gorgeous kiddiwinks – Reuben, Amabel and Lachie, and they provide constant inspiration with their general chatter.

 

How did you find out it had been accepted for publication? What was that like?

I had two very small children when I found out Happy Hooves, Ta Dah! was going to be published, it was very exciting but also slightly overwhelming as I hadn’t expected it to happen at that time. A picture book takes a long time to come together and it all felt quite unreal until I actually held the book in my hands. Fat Fox Books is a brilliant publishers and they’re very supportive – I call Holly, the managing director of Fat Fox Books, my Fairy Godmother because she made my wish come true.

How much say do you have over the illustrations? Is it a team effort? What was it like seeing your characters as someone else sees them? Were they as you imagined?

The publishers had full control over the illustrations for Happy Hooves and I was absolutely thrilled that they chose Rebecca Elliott. She is incredibly talented and made Happy Hooves more beautiful than I could ever have hoped. If you ever visit Tarifa, you’ll see how well she has caught the essence of the place, even though she hasn’t been there.

During a creative writing course, years ago, we had an exercise to come up with a children’s tale (or the start of one). I remember people muttering about how “easy” it would be but the majority of the class really struggled. Have you come across this attitude before? If so, is it frustrating?

Writing a children’s book is very intense, every word has to be perfect because you are working with so few, there is absolutely no room for unnecessary details. Children are very harsh critics and won’t read a book unless it keeps them captivated and so there is a huge amount of work to make sure the story will not lose the child, even for a second. People may think writing a children’s story is easy but the writing is actually only one part of being an children’s author – it is hugely competitive and most writers have to go through a lot of rejections before anything is published so it’s all about the long haul struggle to be honest and whether you can stay in it for the long run.

How does it feel to know you’re engaging a younger audience? That your books could be among the first they have ever read? Do you feel any pressure? 

Now I do…! I love writing for a younger audience, but I don’t feel a pressure, just a privilege if mine is one of the books they read. All I can hope for is that they ask to read it again, and enjoy it. I especially love visiting schools where you get to engage with children directly, it is really rewarding and the questions can be brilliant.

What are you working on at the moment? And do you write better at set times or can you sit down whenever and get straight to it? 

At the moment I’m working on a book for a Scottish charity, which should be published as an ebook this year. I’m also working on a new series of books that unfortunately I can’t divulge upon yet.

Is there any advice you could give to would-be authors? Something you would have found useful when you started?

Firstly, it’s all about the editing and making sure that every word deserves its place on that page.

Secondly, an author has to do a lot of their own self-promotion and create their audience. I’ve found this very hard and I am working a lot on my social media so that I can get myself out there.

abogiequote

A massive thank you to Anna for answering my questions. I had no idea just how much authors, even ones with big publishers, have to peddle their own wares. It seems like a great idea to start building up your social media presence in advance.

Speaking of which, you can find out more about Anna via her website, which also has some great free colouring activities to download and print, and follow her on Twitter, Facebook and Instagram.

For more Behind The Book posts please click here. I’ve got two more fabulous authors lined up for next month. I can’t wait to post them.